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"Miss Oliver's poems also have a predilection suddenly to speak from
the point of view of the thing they are rendering ('The Lamb,' of course
is wholy in that mode) rather than let the continuing particulars carry
full weight. Endings often fall with a too neat metaphysical crescendo
from more austere beginnings: stanzas tend toward equal line count or
poems are set as one large block, creating an illusion of tightness that
is unfortunately belied by the aforementioned formal lapses as well as
a 'heaviness' of subject and tone" (Seidman 24).
From:
Seidman, Hugh. "Natural Universe," The New York Times Book Review.
21 Oct. 1979.*
*MLA Format for these references has not yet been
proofed and corrected. Check it against MLA Handbook for Writiers. |